Matrox Mx02 External Video Io For Pc/mac
There is no such thing as SD PAL 24fps (or any 24 fps in PAL) There most certainly is. There are three kinds that I am aware of: 1. 24 frames spread over 25 frames by repeating an entire frame every second 2. 24 frames spread over 50 fields by (and reversing field order after that) 3. With modified decks or files running to a slower clock (Apple's Cinema Tools let you convert a 25fps QT movie to 24fps, the DVPAL codec allows for a true 24fps playback rate) Of course, the latter is by no means legal PAL anymore, and the other two are not generally accepted as broadcast masters. But for offline editorial (and sound mix), they are very common. Avid has been using the second kind for ages now.
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It is the way theatrically released movies are being cut in PAL-based countries. Effectively, the footage is 24p INSIDE the Avid (without any duplicated fields or pulldown), and 'PAL pulldown' is added during playback through the video output box (Meridien, DNA, DX). The downside of the third party hardware so far is that they will not provide an output at all when you have a 24p PAL project (apparently the AJA will play it back, not capture it). Avid hardware has had 24p PAL support for a very long time.
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* edited AJA 24p PAL playback *. There are three kinds that I am aware of: 1. 24 frames spread over 25 frames by repeating an entire frame every second 2. 24 frames spread over 50 fields by (and reversing field order after that) 3. With modified decks or files running to a slower clock (Apple's Cinema Tools let you convert a 25fps QT movie to 24fps, the DVPAL codec allows for a true 24fps playback rate) This is how to handle 24fps within a PAL project such as Film Composer used to do and now MC. I am clearly talking about delivery and camera original formats. There is no such thing as a 24fps SD PAL broadcast delivery format (or camera capable of shooting such), there is no way to play and show it.
When Avid slows down 25fps to 24fps for film projects it stutters to do so, this would be unacceptable for broadcast. It is an offline workaround for both Apple and Avid (and for any other capable NLE) for film telecined to PAL tapes frame for frame. There is no 720 x 576 tape format that runs at true 24fps.
It is becoming less common to offline film originated projects this ways since HD native rates. Standards conversion is also a completely different matter. I understand what you are saying about 3rd party limitations on output of these PAL film projects for offline and viewing copy output (i haven't cut a film project this way for some time but I recall always having some limitations). Does this apply to the AJA then over SDI? I could not imagine why it would be different to Mojo and Nitris DX in this respect. Does this apply to the AJA then over SDI? If you look at, then you can see that the Matrox MXO2 Mini does not support 24p PAL projects, and 24.00p NTSC projects.
The AJA apparently does play them back, but somehow is specified as not being capable of capturing in 23.976p (SD), 24.00p (SD), 25p (SD) formats. So folks looking to replace their Adrenalines with an AJA box may run into trouble when they have to embark on a 24p PAL project (with a need to capture) for instance. Seems weird, though, that the box can't pull it off. ALL Avid boxes (NuVista, ABVB, Meridien, DNA, DX) have always supported it for more than 15 years now. I always received a PAL tape copy of the telecined master frame for frame and captured normally.